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Teaching Guidelines

Distance Education Guidelines
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High School Drama Courses
Recommended Unit Areas
Introduction to the Theatre
Stage Movement
Acting
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Class Activities
Masterpiece Theatre
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"This is not a Stick"
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Time for Tag-line
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"Throw the Bum Out!"
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Secret Observation
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Mirror, Mirror on the Wall
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Let's Take a Vacation
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Three-way Writing
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Get the Picture?
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Swat Tag
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You and Me Are Family
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How Old Am I?
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What's the Object?
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Once Upon a Time....
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From a Child's Point of View
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Partner Piece
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Teenage Drama
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Family Heritage
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Who Am I?
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Cut-Off Lines...
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Ode to an Oreo
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Tag Lines
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Inside Out
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Quote Pull
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"Yes, and . . ."
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Improve Your Improv
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There's Nothing Like a Song
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Interview
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The Hitchhiker
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Freeze
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Social Quirks
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"What Cha Doin"
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The Object of the Game
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Deliver a Monologue
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The Question Please!
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Standing, Sitting, . . .
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Improvisational Situations
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Voice and Diction
Theatre History
Play Production

High School Oral Comm Courses

ASCA Oral Comm Position Statement
Addendum

Arkansas Guidelines

Department of Education Curriculums
Theatre
Communication - One Semester
Communication - Full Year

Drama Units and Activities

Improve Your Improv

Unit(s): Acting

Purpose:

To help students sustain concentration and imagination through improvisation

To introduce the correct process for developing an acting scene in the beginning, middle, and conclusion format

Objectives:

The student will create dialogue and movement to fit any given situation.

The student will focus on sense recall and characterization.

The student will prepare an effective introduction.

Materials:

  1. Situations for improvisation can be obtained in a number of ways. Ask the class to write original situations on slips of paper. Ask half the class to write characters' names and the other half to write places on slips of paper which can then be drawn and matched (i.e., Power Rangers at Wal-Mart). Refer to one of many improvisation handbooks available.
  2. One chair per performer

Procedure:

  1. Discuss effective improvisation techniques with students.
  2. Pair them up to draw topics. Allow only brief, if any, preparation time.
  3. Remind them of the necessary introduction.
  4. Remind them that the scene should have a beginning, a middle, and a definite conclusion.
  5. Allow each pair to perform.
  6. Provide each pair with a critique after their performance.