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Teaching Guidelines

Distance Education Guidelines
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High School Drama Courses
Recommended Unit Areas
Introduction to the Theatre
Stage Movement
Acting
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Class Activities
Masterpiece Theatre
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"This is not a Stick"
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Time for Tag-line
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"Throw the Bum Out!"
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Secret Observation
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Mirror, Mirror on the Wall
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Let's Take a Vacation
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Three-way Writing
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Get the Picture?
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Swat Tag
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You and Me Are Family
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How Old Am I?
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What's the Object?
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Once Upon a Time....
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From a Child's Point of View
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Partner Piece
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Teenage Drama
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Family Heritage
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Who Am I?
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Cut-Off Lines...
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Ode to an Oreo
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Tag Lines
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Inside Out
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Quote Pull
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"Yes, and . . ."
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Improve Your Improv
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There's Nothing Like a Song
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Interview
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The Hitchhiker
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Freeze
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Social Quirks
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"What Cha Doin"
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The Object of the Game
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Deliver a Monologue
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The Question Please!
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Standing, Sitting, . . .
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Improvisational Situations
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Voice and Diction
Theatre History
Play Production

High School Oral Comm Courses

ASCA Oral Comm Position Statement
Addendum

Arkansas Guidelines

Department of Education Curriculums
Theatre
Communication - One Semester
Communication - Full Year

Drama Units and Activities

"Yes, and. . ."

Unit(s): Acting/Improvisation

Purpose:

To help players "build" a scene by removing all chances of disagreement that lead to a blocking effect

Objective:

Students will learn to accept and build

Materials:

None needed

Procedure:

  1. There is only ONE rule. Players should agree with each other no matter what. Every response must be a positive one. The instructor should select two students and provide them with a situation, two characters, or an opening line. Scenes may began like this:

    Guy: Let's go to the movies.
    Girl: Okay...Can we sit on the front row to get the full effect of the movie?
    Guy: Yes, we can. And you can eat the popcorn left by the people watching the previous show. It will save me some money.
    Girl: That will be so much fun. Then you can roll around on the sticky floor and see how much garbage will stick to you...

  2. The scene is played out until the conflict is resolved. Conflicts do not develop as much between characters as they do within characters.
  3. The agreement rule must NEVER be broken. Unusual choices are encouraged. This will lead a scene in interesting directions. Students will learn that agreement within a scene is more comedic than disagreement.

Borrowed from: Truth in Comedy by Charna Halpern, Del Close, and Kim "Howard" Johnson.