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Teaching Guidelines

Distance Education Guidelines
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High School Drama Courses
Recommended Unit Areas
Introduction to the Theatre
Stage Movement
Acting
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Class Activities
Masterpiece Theatre
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"This is not a Stick"
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Time for Tag-line
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"Throw the Bum Out!"
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Secret Observation
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Mirror, Mirror on the Wall
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Let's Take a Vacation
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Three-way Writing
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Get the Picture?
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Swat Tag
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You and Me Are Family
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How Old Am I?
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What's the Object?
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Once Upon a Time....
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From a Child's Point of View
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Partner Piece
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Teenage Drama
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Family Heritage
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Who Am I?
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Cut-Off Lines...
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Ode to an Oreo
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Tag Lines
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Inside Out
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Quote Pull
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"Yes, and . . ."
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Improve Your Improv
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There's Nothing Like a Song
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Interview
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The Hitchhiker
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Freeze
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Social Quirks
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"What Cha Doin"
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The Object of the Game
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Deliver a Monologue
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The Question Please!
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Standing, Sitting, . . .
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Improvisational Situations
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Voice and Diction
Theatre History
Play Production

High School Oral Comm Courses

ASCA Oral Comm Position Statement
Addendum

Arkansas Guidelines

Department of Education Curriculums
Theatre
Communication - One Semester
Communication - Full Year

Drama Units and Activities

Who Am I?

Unit(s): Acting (character analysis)

Purpose:

To analyze a character in a play

Objective:

The students will identify and analyze a character using the four levels of character: physical, social, psychological and moral.

Materials:

  1. Scene from any play
  2. Character sketch sheet (four levels)
  3. Role scoring sheet (taken from The Stage and the School, (pages 105-107)

Procedure:

  1. Have students read scene. Use either different scenes or the same scene for the entire class.
  2. Hand out character sketch form. Have students list characteristics on form for one of the characters in the scene.
  3. Discuss the four levels of character in relation to character(s) chosen.
  4. Assign Role Scoring. Have students answer questions about same character(s).



Character Sketch

Name________________________

Character's Name_______________

Play_________________________


1.  Physical characteristics (age, health, appearance, etc.)
    a.

    b.

    c.

2.  Social background (family, education, job, religion, clubs, etc.)
    a.

    b.

    c.

3.  Psychological qualities (emotional disposition, moods, intelligence,
    desires/motives, etc.)
    a.

    b.

    c.

    d.

4.  Moral character (values, beliefs, moral decisions, commitments, etc.)
    a.

    b.




Role Scoring

  1. How does the title of the play relate to your character?
  2. What special texture does your character relate to?
  3. What is your character's main sense of urgency?
  4. What is your character's secret?
  5. What rhythm do you associate with your character?
  6. What personal sound do you associate with your character--- sighing, wheezing, grunting?
  7. What is your character's leading gesture?
  8. What is your leading center? What is your character's leading center?
  9. What color do you associate with your character? Why?
  10. What object do you associate with your character? Why?
  11. What animal do you associate with your character?
  12. What are your two primary senses? Your character's?
  13. If your character saw the play, what reaction would she or he have?
  14. Does your character "mask," or cover up, feelings and behaviors? If so, what does your character mask?
  15. What "as if" images does your character use?
  16. Does your character have a sense of humor? Is this sense of humor used in a positive or negative way?
  17. Would you, in real life, be your character's friend? Why? Why not?
  18. What is your character's most positive trait?
  19. What is your character's status in the world? Does your character have money and power?
  20. What are your character's major wants and desires?
  21. What is your character's major objective for each scene in which that character plays a part?
  22. How does your character go about achieving those major objectives?
  23. What is your character's life objective?
  24. How does your character go about achieving his or her life objective?
  25. Has your character changed by the end of the play? If so, in what ways?

Taken from The Stage and the School, pp. 106 - 107