COMM 3043
Feature Writing
3 credit hours
10-11 a.m. MWF
108 Wells Hall | Spring 2012
University of Arkansas at Monticello
Media Studies / Communication
School of Arts & Humanities

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Ronald W. Sitton, Ph.D.
Associate Professor of Journalism

Email: sitton@uamont.edu
Office: 110 Wells Hall | (870) 460-1138
358 University Drive | POB 3460 | 71656

Hours: M-F, 8-9 a.m., by appt; online: 1-2 p.m.
   "Your responsibility includes everything here and in the General Class Policies. Read both, sign the contract, then return it by the third class meeting if you intend to attend. Questions? Consult the syllabus, then ask me. Ignorance will not save you points." - Dr. Sitton General Class Policies Index:  ACCOMMODATIONS || ELECTRONIC DEVICES || CONDUCT || SOURCING || ATTENDANCE || DEADLINES || FEEDBACK || eMAIL || BLACKBOARD || TECH SUPPORT

Syllabus Index: DESCRIPTION || SUPPLIES || GRADING || OPPORTUNITIES || The Voice || PORTFOLIO || EVALS || SCHEDULE


DESCRIPTION

   Analysis of the feature form; readings in the genre; writing for publication including news analyses, op-eds, profiles and investigative reporting. Publication analysis and use of query letters to break into freelance market.

PREREQUISITES
  • COMM 3033 (Communication Writing)
  • Keyboard proficiency
  • Working knowledge of the Internet and email
STUDENT LEARNING OUTCOMES

    Demonstrate the ability to write feature articles fluently, concisely and clearly under deadline pressure conforming to AP style with few errors and NO factual errors, culminating in a portfolio. Practice specific story types, offer context, and learn the art of writing and marketing the feature story. Use the Internet to stay abreast of current events in business, politics, the arts, finance, science, media and international affairs. Demonstrate an understanding of journalistic ethics, and skill using common technologies found in newspaper and magazine production.

Syllabus Index: DESCRIPTION || SUPPLIES || GRADING || OPPORTUNITIES || The Voice || PORTFOLIO || EVALS || top
TEXTS AND SUPPLIES

Click "online bookstore" for text information!                                 
Bold
= Bring to every class
:
  • Friedlander, E.J. & Lee, J. "Feature Writing for Newspapers and Magazines." (7th edition). Pearson. (2011) ISBN-10: 0205747809 | ISBN-13: 9780205747801
  • "The Associated Press Stylebook and Libel Manual." (latest edition). The Associated Press (2011) ISBN 978-0-917360-55-8
  • Garlock, D. (ed) "Pulitzer Prize Feature Stories." (2nd edition). Wiley-Blackwell. (2003) ISBN-10: 0813825458 | ISBN-13: 978-0813825458
  • Blundell, W.E. "The Art and Craft of Feature Writing." Plume. (1988) ISBN-10: 0452261589 | ISBN-13: 978-0452261587
  • Writer's Market (current issue or digital format)
  • Day Planner
  • 2GB storage Electronic device, DropBox or MediaFire
  • "Local" newspaper of your choice (Pine Bluff Commercial, regional publications available outside Wells lab)
  • A good collegiate dictionary
REQUIREMENTS
  1. Read the Textbook and Stylebook. Your exam and publications reflect knowledge you gain over the semester.
  2. Write on topic. It's not enough to talk about writing, i.e. you must write. I coach you along the way by pointing out places to improve. After a time, you lose additional points for repeated mistakes.
  3. Attend. Get Involved. Realize you only get four cuts over the semester or fall victim to the attendance policy. Understand you bring perspective on issues that otherwise might not be considered. We all lose if you're not here.
  4. Adhere to deadlines. ALL communication jobs meet deadlines. Every one of them. Read chapters and work on assignments prior to each class meeting. Submit assignments in the proper format by deadline, i.e. the beginning of class on the date listed.
Syllabus Index: DESCRIPTION || SUPPLIES || GRADING || OPPORTUNITIES || The Voice || PORTFOLIO || EVALS || top
GRADING

   I grade on performance, not effort — it takes great effort to perform. Your grade includes in-class and out-of-class writing opportunities, published work, reading discussions, attendance and class participation.

   Learn from your mistakes. The only bad mistake you'll make is by repeating a mistake you've previously made. I encourage you to use two sets of eyes on your article's copy before it's submitted for a grade.

   You must have clean copy when submitting assignments for a final grade. AVOID silly mistakes by sending your work to Grammarly Handbook and Grammarly Answers, then learning why it made the suggested changes so that you don't make the same mistake twice. Though you won't receive credit for rewrites, I suggest taking the time to rewrite graded work. Not only will it help you understand the attributes of a successfully written article, it will also prepare you for the portfolio due at semester's end.

Fatal errors — People can sue if you publish incorrect factual information, i.e. fabrications and incorrect age, name spellings, addresses and date or time of an activity. Work with fatal errors will receive a 20-point deduction for each instance.

Nonfatal errors — Expect deductions (-2) for each spelling, grammatical or typing error, and a (-3) deduction for other nonfatal errors, including AP Style.

CLASS PARTICIPATION

   A quick note: In addition to the normal participation concerns, you will actually lead discussions concerning different Pulitzer Prize articles. For those with perfect attendance, I will drop your lowest discussion grade.

   You will not succeed in this class if you do not contribute to our discussions with enthusiasm and sincerity. Like life, the more you put into the course, the more you'll get out of it.

PERCENTAGE
TOTAL POINTS
LETTER GRADE
90 A
80 B
70 C
60 D
Less F

   Though points will accumulate for multiple errors, typically papers receive grades as listed below:

A — Publishable article with minor editing, featuring a compelling lead and excellent writing that is well organized and thoroughly covers the topic. It contains no factual errors.

B — Publishable article with minor editing and/or rewriting, featuring an acceptable lead, writing and organization. It contains no serious information gaps or factual errors and only minor grammar, style and spelling errors

C — Article might be adequate for publication, but only if extensively rewritten to fix the following needs:

  • better lead or story structure
  • obvious questions need answering
  • grammar, style, spelling or minor factual errors need correcting
D — Cannot publish article due to:
  • weak lead or poor organization
  • multiple minor factual errors
  • numerous style, grammar and spelling errors
  • inadequate subject coverage
  • unfair treatment of subject or sources
F — Cannot publish article due to serious defects including:
  • serious factual errors or fatal errors
  • information gaps
  • libelous statements
  • blatantly unfair treatment of subject or sources
ASSESSMENTPOINTS
Class Writings100
Pulitzer Discussions200
Readings Discussions100
The Voice Articles 500
Midterm200
Query100
Critiques200
Freelance Feature300
Portfolio200
Class Participation100
TOTAL2,000

   In addition to the texts, you should read the Sunday New York Times Magazine for examples of excellent feature writing. You should also continue to keep up with current events, as they will provide feature ideas. You'll write, interview and research a lot in this class; if it's not your thing, you might consider something else.

EXTRA CREDIT

   You can receive up to 100 points once per semester by publishing a feature article in a recognized non-campus publication. It MUST be a feature, NOT an A&E review, commentary or letter to the editor.

   Points will be based on length and placement of the feature, e.g. if your feature makes the cover for a local newspaper or appears in a magazine or alternative publication, you'll receive all the points. For a small (500-750 words) inside feature for a local publication, you might only receive 50 points. In such cases, you may petition me to allow a second opportunity so that you can publish two small features for full extra credit. Submit clips with portfolio.

Syllabus Index: DESCRIPTION || SUPPLIES || GRADING || OPPORTUNITIES || The Voice || PORTFOLIO || EVALS || top

OPPORTUNITIES

Class Writings

   You'll post five short writing assignments to the class discussion board. Members of the class will provide constructive criticism in postings. Cover the following in 500-750 words:
  • Observation
  • Process
  • Bias anecdote
  • Food
  • Place
Rough draft critiques

   You will write two short critiques of first drafts written by fellow students and be prepared to discuss them. By giving and receiving peer critiques, you will learn to sharpen your work and your thinking. As the writer, your first draft should include three attachments:

  1. abstract suitable for publication's web page
  2. visualization suggestions
  3. resource list providing primary and secondary sources and sufficient information for a fact checker
Midterm

   Your midterm will be a 1,500- 2,000 word news feature story discussing a trend or issue affecting the UAM or Southeast Arkansas community, based on key facts and quotes in the gathered literature, and supported with quotes from sources in this region to add the proximity angle to your article. A trend or issue isn't just covering event such as the activities fair and interviewing a lot of people, although that would be a good regular news story.

   Start looking now for changes or issues being discussed on campus this will save you time later. It requires at least five sources. You should tell your sources that you're writing for publication. The article should contain a delayed news lead. It should end with either a circular, climatic or surprise ending.

   Submit a one-page description of your topic by Week 3 for my approval. Submit a rough draft by Week 7. Though you may submit your midterm prior, the deadline is Week 8, beginning of class. For more on deadlines, see the General Class Policies.

FREELANCE FEATURE aka Final

   Your final concentrates on writing and marketing the in-depth magazine article, a process that includes generating ideas, writing a query letter, working with editors, researching, identifying and using multiple sources, using outlines and drafts, and polishing a final article. By semester's end, you will produce a query letter and a polished, 2,500-word non-fiction feature article to be submitted on spec to a publication of your choice. Final specifications will be provided later in the semester

WRITING for STUDENT PUBLICATIONS

   You must write five stories for The Voice, i.e. you should write articles with the campus community in mind as your audience. They depend on you to be their eyes and ears at functions they cannot attend. As you're no longer novice reporters, your stories should be at least two-to-three pages in length; anything less may not be counted for credit. NEVER submit a first draft for publication. While you may choose any feature story type for your final two articles, you must write at least one of each of the following:

  1. a news analysis of a panel discussion or meeting of the Student Government Association, Greek Council or the Assembly
  2. either a commentary or a review/critique of food, art, music, theater or movies of 500 to 1,200 words
  3. a personality profile of 750-1,000 words
    To prepare for query letters, convince me of the validity of your ideas, i.e. any article written without my approval will not count for class credit, no matter how good it is. Therefore, "pitch" your feature ideas by sending a proposal to me via e-mail before class, including:
  1. a complete description of the idea
  2. your angle
  3. why the story's important
  4. a list of possible sources (no fewer than three humans, one reference)
  5. illustration/photo potential

  The Voice Submissions: Submit your articles to The Voice's email and make sure to send an original to me for grading! Keep track of your published work to add them to your portfolio at the end of the semester.

PORTFOLIO

   You're responsible for keeping track of your articles and briefs on your disk and in traditional paper form. You will maintain a portfolio containing:

  • resume
  • any published work
  • Writing assignments, including:
  • in-class writings
  • two critiques
  • midterm feature
  • final feature
  • Personality Profile
  • News Analysis
  • Commentary
    /A&E
  • other Voice articles
   Published work — As each edition of The Voice comes out, clip your story and paste it on a sheet of notebook paper. Label it with the date of publication, and file it in a folder. For each written assignment, provide:
  • an edited version of your article — I will be looking for AP style, passive voice, grammar, punctuation and spelling errors. This version should be virtually free of those!
  • an original copy of your article — This is the version originally returned to you. I may not catch every mistake the first time, so be sure you look for mistakes in addition to the ones I caught the first time.
  • paragraph detailing the lesson learned from this experience — Next to the article, or on the next page, briefly explain one thing you learned from the process of writing the article, e.g.
    • What did the copy-editing of the story teach you about conciseness, accuracy or news style?
    • What problems did you encounter covering the story and how did you solve them?
    • What news values does the story contain?
Syllabus Index: DESCRIPTION || SUPPLIES || GRADING || OPPORTUNITIES || The Voice || PORTFOLIO || EVALS || top
They said it ...

The following quotes came from student evaluations of the previous incarnation of the course, i.e. Media Ethics. Thanks to the comments, portions of the class have changed for the better in the new incarnation:

"Feature writing adds to what students already learn as far as writing a story. In Intro and Newswriting, you learn to write the facts without adding any 'flowers.' Feature uses both 'flowers' and 'nails.' The class does not have much writing, but the assignments challenge the writer to go beyond using just 'nails.'"

"Feature writing is by far the most entertaining of all of the journalism classes I have taken. You are actually able to be more free and creative with your stories. The amount of writing is not as demanding as other courses, but there is a large portion of reading that can be overwhelming if you get behind. However the majority of the stories required of the class are actually good and worthy of reading. Also, the class allows you the opportunity to market yourself as a writer, which is a great plus."
"Do not take at the same time as News Writing."

"The course is both writing and reading intensive, which makes it really tough."

"Feature writing is an informative class. Although there are only five articles due within the semester, you have to schedule, schedule, schedule because there is other work. I liked the class better than Newswriting because it stretches and uses more of your creative side. I recommend this class to anyone interested in journalism. This class will help improve your writing skills across all areas."
"Feature writing is one of my favorite classes I've ever taken. Dr. Sitton does a wonderful job of exploring the material so that not only do we understand it, but so it's interesting and keeps us wanting to learn more."

"Feature writing was more fun than News Editing and Newswriting. I wasn't so into reading some of the Pulitzer Prize stories because they slightly bored me, but writing stories was more in-depth and descriptive than stories in Intro. Dr. Sitton is a great teacher. He really knows a lot about how well his students are doing in his classes. He's always available to help you if you need it. I would advise other students to take this class. It's cool diggity!"
Syllabus Index: DESCRIPTION || SUPPLIES || GRADING || OPPORTUNITIES || The Voice || PORTFOLIO || EVALS || top
Special Thanks!

     I took Jay Friedlander's Feature Writing course as an undergraduate at the University of Arkansas at Little Rock. I learned a lot from the style and manner of his class, and I have modeled this course accordingly. I also adapted course material from former colleague Glynn Wilson. 

If you don't understand something in this Web note, please e-mail Dr. Sitton.


Ronald W. Sitton 2012
Revised 012012 — http://www.uamont.edu/FacultyWeb/sitton/crz/fetr.html