| DESCRIPTION
Analysis of the feature form; readings in the genre; writing
for publication including news analyses, op-eds, profiles and investigative
reporting. Publication analysis and use of query letters to break into freelance
market.
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PREREQUISITES
- COMM 3033
(Communication Writing)
- Keyboard proficiency
- Working knowledge of
the Internet and email
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STUDENT LEARNING OUTCOMES
Demonstrate the ability to write feature articles fluently, concisely and clearly under deadline pressure conforming to AP style with few errors and NO
factual errors, culminating in a portfolio. Practice specific story types, offer
context, and learn the art of writing and marketing the feature story. Use the
Internet to stay abreast of current events in business, politics,
the arts, finance, science, media and international affairs.
Demonstrate an
understanding of journalistic ethics,
and skill using common
technologies found in newspaper and magazine production.
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Syllabus Index: DESCRIPTION || SUPPLIES || GRADING || OPPORTUNITIES ||
The Voice || PORTFOLIO || EVALS ||
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Click "online bookstore" for text information!
Bold = Bring to every class:
- Friedlander, E.J. & Lee, J. "Feature Writing for Newspapers and Magazines."
(7th edition). Pearson. (2011) ISBN-10: 0205747809 | ISBN-13: 9780205747801
- "The Associated Press Stylebook and Libel Manual." (latest edition). The Associated Press (2011) ISBN 978-0-917360-55-8
- Garlock, D. (ed) "Pulitzer Prize Feature Stories." (2nd edition). Wiley-Blackwell. (2003) ISBN-10: 0813825458 | ISBN-13: 978-0813825458
- Blundell, W.E. "The Art and Craft of Feature Writing." Plume. (1988) ISBN-10: 0452261589 | ISBN-13: 978-0452261587
- Writer's Market
(current issue or digital format)
- Day Planner
- 2GB storage Electronic device, DropBox or MediaFire
- "Local" newspaper of your choice (Pine Bluff Commercial, regional publications available outside Wells lab)
- A good collegiate dictionary
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REQUIREMENTS
- Read the Textbook and Stylebook. Your exam and publications reflect knowledge you gain over the semester.
- Write on topic. It's not enough to talk about writing, i.e. you must write. I coach you along the way by pointing out places to improve. After a time, you lose additional points for repeated mistakes.
- Attend. Get Involved. Realize you only get four cuts over the semester or fall victim to the attendance policy.
Understand you bring perspective on issues that otherwise might not be considered. We all lose
if you're not here.
- Adhere to deadlines. ALL communication jobs meet deadlines. Every one of them. Read chapters and work on assignments prior to each class meeting. Submit assignments in the proper format by deadline, i.e. the beginning of class on the date listed.
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Syllabus Index: DESCRIPTION || SUPPLIES || GRADING || OPPORTUNITIES ||
The Voice || PORTFOLIO || EVALS ||
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GRADING
I grade on performance, not effort — it takes great effort to
perform. Your grade includes in-class and out-of-class writing opportunities,
published work, reading discussions, attendance
and class participation.
Learn from your mistakes. The only bad mistake you'll make is by repeating a mistake
you've previously made.
I encourage you to use two sets of eyes on your article's copy before it's submitted for a grade.
You must have clean copy when submitting
assignments for a final grade. AVOID silly mistakes by sending your
work to Grammarly Handbook and Grammarly Answers,
then learning why it made the suggested changes so that you don't make the same
mistake twice.
Though you won't receive credit for rewrites, I suggest taking the time
to rewrite graded work. Not only will it help you understand the
attributes of a successfully written article, it will also prepare you
for the portfolio due at semester's end. Fatal errors People can
sue if you publish incorrect factual information, i.e. fabrications and incorrect age, name spellings, addresses and date or time of an activity. Work with fatal errors will receive a 20-point deduction for each instance.
Nonfatal errors Expect deductions (-2) for each spelling, grammatical or typing error, and a (-3) deduction for
other nonfatal errors, including AP Style.
CLASS PARTICIPATION
A quick
note: In addition to the normal participation
concerns, you will actually lead discussions concerning different
Pulitzer Prize articles. For those with perfect attendance, I will drop your
lowest discussion grade.
You will not succeed in this class
if you do not contribute to our discussions with enthusiasm and sincerity. Like life, the more you put into the course, the more you'll get out of it.
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PERCENTAGE
TOTAL POINTS |
LETTER GRADE |
| 90 |
A |
| 80 |
B |
| 70 |
C |
| 60 |
D |
| Less |
F |
Though points will accumulate for multiple errors, typically papers receive
grades as listed below:
A Publishable article with minor editing, featuring a compelling lead and excellent writing
that is well organized and thoroughly covers the topic. It contains no factual errors.
B Publishable article with minor editing and/or rewriting,
featuring an acceptable lead, writing and organization.
It contains no serious information gaps
or factual errors and only minor grammar, style and spelling errors.
C Article might be adequate for publication, but only if extensively rewritten
to fix the following needs:
- better lead or story structure
- obvious questions need answering
- grammar, style, spelling or minor factual errors need correcting
D Cannot publish article due to:
- weak lead or poor
organization
- multiple minor factual errors
- numerous style, grammar and spelling errors
- inadequate subject coverage
- unfair treatment of subject or sources
F Cannot publish article due to serious defects including:
- serious factual errors or fatal errors
- information gaps
- libelous statements
- blatantly unfair treatment of subject or sources
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| ASSESSMENT | POINTS |
| Class Writings | 100 |
| Pulitzer Discussions | 200 |
| Readings Discussions | 100 |
| The Voice Articles |
500 |
| Midterm | 200 |
| Query | 100 |
| Critiques | 200 |
| Freelance Feature | 300 |
| Portfolio | 200 |
| Class Participation | 100 |
| TOTAL | 2,000 |
In addition to the texts, you should read the Sunday New York Times Magazine for examples of excellent feature writing. You should also continue to keep up with current events, as they will provide feature ideas.
You'll write, interview and research a lot in this class; if it's not your thing, you might consider something else.
You can receive up to 100 points
once per semester by publishing a feature article in a recognized
non-campus publication. It MUST be a feature, NOT an A&E review, commentary
or letter to the editor. Points will be based on length and placement of
the feature, e.g. if your feature makes the cover for a local newspaper
or appears in a magazine or alternative publication, you'll receive all
the points. For a small (500-750 words) inside feature for a local
publication, you might only receive 50 points. In such cases, you may
petition me to allow a second opportunity so that you can publish two
small features for full extra credit. Submit clips with portfolio.
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Syllabus Index: DESCRIPTION || SUPPLIES || GRADING || OPPORTUNITIES ||
The Voice || PORTFOLIO || EVALS ||
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OPPORTUNITIES
Class Writings
You'll post five short writing assignments to the class
discussion board. Members of the class will provide constructive
criticism
in postings. Cover the following in 500-750 words:
- Observation
- Process
- Bias anecdote
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Rough draft critiques
You will write two short
critiques of first drafts written by fellow
students and be prepared to discuss them. By giving and receiving
peer critiques, you will learn to sharpen your work and your
thinking. As the writer, your first draft should include three attachments:
- abstract suitable for publication's web page
- visualization suggestions
- resource list providing primary and secondary sources and sufficient information for a fact checker
Midterm Your midterm will be a 1,500- 2,000 word
news feature story discussing a trend or issue affecting the UAM
or Southeast Arkansas community, based on key facts and quotes in the gathered
literature, and supported with quotes from sources in this region to add the
proximity angle to your article. A trend or issue isn't just covering event such
as the activities fair and interviewing a lot of people, although that would be
a good regular news story.
Start looking now for changes or
issues being discussed on campus this will save you time later. It requires at
least five sources. You should tell your sources that you're writing for
publication. The article should contain a delayed news lead. It should end with
either a circular, climatic or surprise ending.
Submit a one-page
description of your topic by Week 3 for my approval. Submit a rough
draft by Week 7. Though you may submit your midterm prior, the deadline is
Week 8,
beginning of class. For more on deadlines, see the
General Class Policies.
FREELANCE FEATURE aka Final
Your final concentrates on writing and marketing the in-depth
magazine article, a process that includes generating ideas, writing a query
letter, working with editors, researching, identifying and using multiple
sources, using outlines and drafts, and polishing a final article. By semester's
end, you will produce a query letter and a polished, 2,500-word non-fiction
feature article to be submitted on spec to a publication of your choice. Final
specifications will be provided later in the semester
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WRITING for STUDENT PUBLICATIONS
You must write five stories for
The Voice,
i.e. you should write articles with the campus community in mind as your
audience. They depend on you to be their eyes and ears at functions they cannot
attend. As you're no longer novice reporters, your stories should be at least
two-to-three pages in length; anything less may not be counted for credit.
NEVER submit a first draft for publication.
While you may choose any feature story type for your final two articles, you must write at least one of each of the following:
- a news analysis of a panel discussion or meeting of the Student Government
Association, Greek Council or the Assembly
- either a commentary or a review/critique of food, art, music, theater or
movies of 500 to 1,200 words
- a personality profile of 750-1,000 words
To prepare for query letters, convince me of the validity
of your ideas, i.e. any article written without my approval will not count for
class credit, no matter how good it is. Therefore, "pitch" your feature ideas by sending a proposal to me via e-mail
before class, including:
- a complete description of the idea
- your angle
- why
the story's important
- a list of possible sources (no fewer than three humans,
one reference)
- illustration/photo potential
The Voice Submissions: Submit your articles to The Voice's email
and make sure to send an original to me for grading!
Keep track of your published work to add them to your
portfolio at the end of the semester.
PORTFOLIO
You're responsible for keeping track of your articles and briefs on your disk and in traditional paper form. You will maintain a portfolio containing:
- resume
- any published work
-
Writing assignments, including:
-
in-class writings
-
two critiques
-
midterm feature
-
final feature
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- Personality Profile
-
News Analysis
-
Commentary
/A&E
-
other Voice articles
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Published work As each edition of The Voice comes out, clip your story and paste it on a sheet of notebook paper. Label it with the date of publication, and file it in a folder. For each written assignment, provide:
- an edited version of your article I will be looking for AP style, passive voice, grammar, punctuation and spelling errors. This version should be virtually free of those!
- an original copy of your article This is the version originally returned to you. I may not catch every mistake the first time, so be sure you look for mistakes in addition to the ones I caught the first time.
- paragraph detailing the lesson learned from this experience Next to the article, or on the next page, briefly explain one thing you learned from the process of writing the article, e.g.
- What did the copy-editing of the story teach you about conciseness, accuracy or news style?
- What problems did you encounter covering the story and how did you solve them?
- What news values does the story contain?
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Syllabus Index: DESCRIPTION || SUPPLIES || GRADING || OPPORTUNITIES ||
The Voice || PORTFOLIO || EVALS ||
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They said it ...
The following quotes came from student evaluations of the previous incarnation of the course, i.e.
Media Ethics. Thanks to the comments, portions of the class have changed for the better in the new incarnation:
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"Feature writing adds to what students already learn as far
as writing a story. In Intro and Newswriting, you learn to
write the facts without adding any 'flowers.' Feature uses
both 'flowers' and 'nails.' The class does not have much
writing, but the assignments challenge the writer to go
beyond using just 'nails.'"
"Feature writing is by far the most entertaining of all of
the journalism classes I have taken. You are actually able
to be more free and creative with your stories. The amount
of writing is not as demanding as other courses, but there
is a large portion of reading that can be overwhelming if
you get behind. However the majority of the stories required
of the class are actually good and worthy of reading. Also,
the class allows you the opportunity to market yourself as a
writer, which is a great plus." |
"Do
not take at the same time as News Writing."
"The course is both writing and reading intensive, which
makes it really tough."
"Feature writing is an informative class. Although there are
only five articles due within the semester, you have to
schedule, schedule, schedule because there is other work. I
liked the class better than Newswriting because it stretches
and uses more of your creative side. I recommend this class
to anyone interested in journalism. This class will help
improve your writing skills across all areas." |
"Feature writing is
one of my favorite classes I've ever taken. Dr. Sitton does a wonderful job
of exploring the material so that not only do we understand it, but so it's
interesting and keeps us wanting to learn more."
"Feature writing was more fun than News Editing and Newswriting. I wasn't so
into reading some of the Pulitzer Prize stories because they slightly bored
me, but writing stories was more in-depth and descriptive than stories in
Intro. Dr. Sitton is a great teacher. He really knows a lot about how well
his students are doing in his classes. He's always available to help you if
you need it. I would advise other students to take this class. It's cool
diggity!" |
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Syllabus Index: DESCRIPTION || SUPPLIES || GRADING || OPPORTUNITIES ||
The Voice || PORTFOLIO || EVALS ||
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Special Thanks!
I took Jay Friedlander's Feature Writing course as an
undergraduate at the University of Arkansas at Little Rock. I learned a lot from
the style and manner of his class, and I have modeled this course accordingly. I
also adapted course material from former colleague Glynn Wilson.
If you don't understand something in this Web note, please e-mail Dr. Sitton.
Ronald W. Sitton 2012
Revised 012012 http://www.uamont.edu/FacultyWeb/sitton/crz/fetr.html
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